love of a landscape,
of the dance of light and cloud upon leaden Autumn waters,
of the sway of cotton grass in a playful Summers breeze,
of the cool green air which wisps around your Spring hair,
of those little details which reveal a world,
of the escape from mundane valley floor,
of soaring rocks, glacial scarred and Winter shattered
raptor and carrion,
your rapture and return…
…. from fragments,
from imperfect
traces….
from the hard cold realities….
love of the object,
sought,
hard won,
cherished
and
curated.
separated by 5000 years,
joined by a humanity.
Is it too hard to feel…
what it means to acquire,
to complement,
to share…
These partial traces,
spectres
of
objects desired,
with no value…
only discard,
detritus,
the waste from
greater
desires…
….they were hard won
by trowel,
by folded body
by stiffened knee…..
by cut finger and
aching arm…
they were hard won….
by stone upon stone,
crack and dust,
clatter and clinker,
roughed out…
waste, waste, waste, waste, waste,
the object is borne
again revealed,
bagged and tagged
cleaned
measured,
incorporated into a world
beyond their….
… imagine,
a metric curation,
an assertion of the rationale…
suppresses
a terror of what they may reveal…
love of the object…
a fetish beyond,
love of the insight,
of the revelation,
of the enlightenment,
beyond, we love beyond
the bounds of normal understanding…
for one moment they mattered,
the core of a world denied for millennia,
for one short moment
a sweet anticipation of display and adoration,
of wonder and desire… Can we speak of love…
Care, and ware, grind and polish…
Smoothed and caressed, a concentration,
focus,
effort,
an obsession…
material meditations…
shared and displayed…
an eternal transformation…
objects transcending moments of humanity…
…your daughters daughters sons
daughtersonsdaughtersonsdaughters
tell tale of those who pulled them from
the mother rock…
And yet we have inherited hard cold curation,
an uncomfortable,
comfort from discipline,
little known,
little revealed,
little shared,
but we are satisfied ?
with what…
with the recovery of loss,
with the ordering of disorder,
with the categorisation of the chaotic,
with the control of the uncontrollable….
with our conceit …
can we speak of love…
look carefully,
not at the traces of the past,
but
at the fleeting glimpses
of the future…
flow
…fragments journeyed,
flow
…fragments retold,
flow
…fragments transformed,
flow
…fragments returned…
love of the possibilities of what might be,
love of our shared humanity,
love of the intangibility of the tangible…
Dry and broken husks, pass no more on the winter stream,
occasional glints, below the surface beckon Spring rains.
Can we plant and tend,
seeds of spirit
grow
seeds of soul
grow
seeds of light
roots and radiance,
beyond generations glow.
The journey, the narrative continues….
how will you love
heap more order upon disorder
or narrate the next chapter, the next journey
share and tell,
show and reveal,
one year to this day…
is
but a moment in the flow of time…
—————————————————————————————————————-
One interest I have are the threads which can be drawn out and traced through the millennia. So slight, so fine, they can only be seen from certain angles – a flash, a glint, in peripheral glances – but I am sure they are there.
One fragile thread I have been teasing out was originally found in the uplands. Five thousand years ago people quarried stone from mountain places such as the Langdale, Cumbria and Craig Na Caillich, Perthshire. From the stone they produced polished stone axes. Polished stone axes may have been considered prestige objects and often traveled significant distances, perhaps handed from person to person. Each time a polished stone axe moved, its story may have traveled with it linking time and space through the memories of generations.
The piece I present in part here traces these threads and looks forward. Some images show a small quartz cairn I first created in the uplands six years ago and how it has changed. Other images show large waste flakes from making rough out axes 5500 years ago: they had been excavated by archaeologists and they were going to be disposed of as no longer wanted for curation. Many of the images relate to the burn which flows down from Craig Na Caillich axe factory, other relate to prehistoric sites where polished stone axes may well have been used and deposited.
The piece was presented in the Creative Archaeologies session, co-organised by Antonia Thomas, Dan Lee, Carolyn White and Ursula Frederick, at the 2015 European Association of Archaeologists conference.
As part of the piece 25 boxes were given away and an invite extended to those who took them to collaborate in exploring the future chapter of what was inside.
In The Flow Of Time We Are But A Moment ….