Cultural Capital – the Santiago Pilgrimage

We move to the final panel of the Santiago triptych,

upon which I found myself drawn to

The Two Towers

on a distant hillside.

BeyondMoving through the city…

Crossingbeyond the dual carriageway,

into the peri-urban,

stone marking transitions.

Peri-UrbanityTrafficless I ascended.

RouteAn uncertain entrance.

Entrance Light dancing on the polished steel of hope.

SignageEngineering Culture

amongst steel beams and rods,

Bones watery inner belly exposed,

Bowelswaiting

encasement in concrete

before facadification.

CladdingOld Distant Towers.

CityscapeSignal to the New.

Glimpses Glass and granite clad

organic forms

flow

across the hillside.

Cultural Capital 4Baleen   The Two Towers                   drew                      me                              towards them.

Cultural Capital 3 Cultural Capital 2Twin TowersBefore I realised,

I had crossed the

threshold.

ThresholdBroken shadows danced across the raw concrete.

Cut by ShadowsFalling shards.

FallingTrapped

the body

beneath.

FallenDescending to another level,

traces of others

before

me.

EmbellishedUnfinished displays.

RevealedHidden from site,

I found The Three Towers…

Micro-towersReturned,

to the city

boundary

marked by

standing stone.

Standing StoneAnd thus my pilgrimage ended.

——————————————————————————————————————-
The Two Towers are part of The City of Culture of Galicia (Cidade Da Cultura de Galicia) which when I visited was a building site partially open to the public.  It became apparent, however, as I was ushered out by a workman, that the degree to which The Two Towers were open to the public was ambiguous ! 
The Two Towers are conceived as a memorial to architect John Hejduk (who designed them in 1992 for another project) but also function as a means of ventilating underground galleries and will act as a information centre.  The void between the towers is an exact inverted profile of one of them: so in a sense there are actually Three Towers.
The City of Culture Galicia was designed by architect Peter Eisenman in response to a design competition in 1999.  Based on overlaying a morphed ground plan of Medieval City and five main pilgrimage routes across the hillside of Mount Gaiás.  The City of Culture was conceived as comprising buildings for several major Galician cultural institutions.  It is a remarkable project in many respects, a modern assertion of confidence in Galician cultural identity which converses with the historic environment of Saniago de Compostela.
However, construction commenced in 2001, with a budget of 109 million Euros.  The project required another intervention in 2005 ’12 Actions to Make the Cidade da Cultura Transparent’ by architect Andrés Jaque to raise its awareness in the public consciousness. By 2011 400 million Euros had been spent on construction and in March 2013 work was stopped.    It is unclear as to whether all elements will actually be completed, and how well it will articulate with the Old City.
The standing stone encountered at the end of my journey was erected in 2006 to commemorate the opening of a new suburb, others can be found around the margins of the city.
Advertisements

2 thoughts on “Cultural Capital – the Santiago Pilgrimage

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s